Josh Jones
Internationally acclaimed soloist and Principal Percussionist of the Grant Park Orchestra, Josh Jones is widely recognized for his expressive artistry, rhythmic acuity, and dedication to advancing and advocating for equity within classical music. Jones entered into the field of classical music through prestigious fellowships with the Detroit Symphony Orchestra and the Pittsburgh Symphony Orchestra. He went on to serve as Principal Percussionist with the Calgary Philharmonic Orchestra and the Kansas City Symphony before joining the Grant Park Orchestra.
In addition to his orchestral work, Jones performs regularly with and has been a featured soloist of several ensembles. In 2024 he performed with the Sphinx Virtuosi, the flagship chamber orchestra of the Sphinx Organization, appearing at major venues and on national tours, and serving as soloist on repertoire such as Curtis Stewart’s “Drill Concerto for Prepared Drum Set and Strings” and other contemporary works. Jones has appeared as a featured soloist at Carnegie Hall, and alongside the Pittsburgh Symphony Orchestra, the Grant Park Orchestra, the Kansas City Symphony, and the Calgary Philharmonic.
During his time with the Kansas City Symphony, Jones became a focal point of national conversation when he was denied tenure — a decision that drew scrutiny from musicians, advocates, and organizations, including the Black Orchestral Network (BON), and stirred broader dialogue about equity and inclusion in American orchestras. After a national protest of the decision and reporting by multiple news outlets including the Washington Post, several orchestras updated their own tenure processes by adopting guidelines created by BON in conjunction with the American Federation of Musicians. Jones has since dedicated time to continue sharing his experience in hopes that more orchestras implement these changes. He also engages communities through teaching, masterclasses, and mentorship, reflecting his deep commitment to education and artistic access.
Born and raised on Chicago’s South Side, Jones first began playing percussion at the age of two. He received foundational training through the Chicago Symphony Orchestra’s Percussion Scholarship Program, studying with CSO percussionist Patricia Dash and her husband, Lyric Opera of Chicago percussionist Douglas Waddell — an experience he has called transformative for his personal and professional development.
Jones’ career reflects a blend of artistic excellence, educational leadership, and a passionate voice for equity in the orchestral world — making him one of the most compelling percussionists working today.